The CPI would bring together students and youth organisations on January 11 for a protracted struggle against “the anti-youth” decision of the State government at a time when they were expecting filling up of over 2.35 lakh vacancies in various government departments as promised during his long march. The CPI leader found no justification in the cash-strapped YSR Congress Party government increasing the age of State government employees by two years without their asking for it. Objecting to the “paltry” pay hike announced by the Jagan Mohan Reddy government, he said for the first time, the pay revision was less than even the interim relief. The BJP should take note it was was the central intelligence wing responsible for the Prime Minister’s security breach, which had to take the blame for what had happened in Punjab. Veerraju had failed to take up the State’s cause be it on Special Category Status, sanctioning of a central port and privatisation of Visakhapatnam Steel Plant. Somu Veerraju was as ‘politically-motivated’, taken up to “be in the good books of the BJP party command”, he said. The CPI leader said the BJP should also take note that hundreds of farmers had died because of the Centre’s delay in taking back the black farm laws. Ramakrishna on Saturday asked the Bharatiya Janata Party(BJP) to first introspect over the reasons for incurring the wrath of farmers instead of making a “hue and cry” over some farmers stopping Prime Minister Narendra Modi’s convoy in Punjab. L'Eclipse 1874, 299.Responding to the protests led by BJP State president Somu Veerraju in the State over the ‘security lapse’ in Punjab, Communist Party of India(CPI) State secretary K. Translation from French by Sonia Grunenwald.įeatured image credit: André Gill: Madame Anastasie. Is this some dark foreboding?Īrticle reproduced with kind permission from the author from an original article entitled Voile intégral sur la poésie, published in Service littéraire magazine, No 102, January 2017.
#Raising the hue and cry history full
Under the title Traité sur l’Ennui dans une Nation française soumise à la cybercensure (Treatise on boredom in a French nation subjected to cyber censorship), he has re-published his burst of delicious and vengeful sonnets concluding with a “ Dialogue du Voile intégral et de la Feuille de vigne” (Dialogue of the full veil and the fig leaf).Īlas, on the cover of the book, no more nude beauty. So the author is now sharing a furious response with the public. Soon after the book’s release, defying all credibility and yielding to some mysterious occult pressure, the website announced it as “currently unavailable” on ’s web site. Such blasphemy must be gagged as soon as possible.Īmazon has taken care of it. (Is the veil an obstacle to a lover’s passion / or, on the contrary, does it spice things up?) Ou met-il au contraire un piment dans la sauce ?” “Le voile est-il un frein aux ardeurs d’un amant To aggravate matters, the illustrated cover of his book displays a magnificent, lascivious and naked creature imprisoned in a burka. His latest anthology Voiles et nudité (Veils and nudity) raises a taboo subject. His very existence disturbs accepted correctness and upsets conventional cowardice. His following is as confidential as it is faithful.īut even this is already too much.
His poetry, though rich, is destined for a happy few. Under this pen name, Chaunes hides an undisputable and leading light, collects literary prizes and presides over the European Academy of Arts, Sciences and Letters. Worse still, any excuse seems good enough to keep them quiet, even backstabbing and cheap shots. Publishers look askance at such work, considering it not profitable enough. The reason they remain unnoticed is that they practice their art almost in secret. Indeed, despite appearances, the muses Calliope and Erato somehow still attract a few passionate lovers. However, widespread this opinion may be, it doesn’t reflect reality. By this, I mean: classical poetry, with rhymes, regular meters, fixed forms, and a musical language intended to induce dreaming. In a world invaded by pragmatism, poetry seems anything but useful. When Witch Anastasia’s censorship role is taken over by insidious cybercensorship
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